Daniel Jackson
Daniel Jackson explores the synthesis of computer code with human
actions engaging with the ideas propositioned by Malevich, Mondrian,
Lewitt and
Halley and extending a way forward for conceptual art in this century.
By controlling the parameters of the software that he has purposefully
created, and with the final edit of the output, he is able to produce
rigorously constructed paintings and one off prints. The large
monochrome paintings create a retinal disquiet, like an interference
on a screen. The noise is an overall organised treatment, highly
orchestrated and meticulously worked. The software output is
systematicallyadhered to and synthesized with the artist's
intervention, which allows the works to be viewed as both optically
textured luxury and as a cerebral, logical construction.
Daniel Jackson graduated from The Slade School of Art in London and he
has exhibited widely in group shows, notably: 'Junge Scene' at the
Seccession, Vienna, 1998; 'Look and Feel', Buerofriedrich, Berlin,
2000; 'A Square of Ground', Jerwood Gallery, London, 2000; 'The Royal
Road to the Unconscious', Freud Museum, London, 2004. and Solo
exhibitions at Carter Presents London 2006 and Apt Draschan Vienna
2007
Daniel Jackson
giclee on hahnemuhle 60 inches by 88 inches x 4 2008
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